This is just an overview of some of the techniques used to create these images. For more detailed information on how to get started with night photography on your own, see the resources below.
Most of my night images are taken about a 1/2 hour after the sun goes down, preferably close to the full moon. I prefer having the moon as the primary light source, building the composition and additional lighting around it.
Exposure times can vary considerably, but typically range from 2 to 7 minutes. Multiple exposures are sometimes composited to show star movement over longer periods of time.
While the shutter is open additional light can be added to the scene with a flash unit or a flashlight, with color provided by theatrical gels. I also employ a variety of materials to create special effects within the frame such as led lights, electroluminescent wire, burning steel wool, balloons, anything that might emit or alter light is worth trying.
I keep post processing to a minimum, adjusting white balance, exposure, cropping, dodging and burning - the tools of the traditional darkroom. I tend to keep the images honest, sometimes compositing multiple shots of the same setup, but not adding things from other photos or other Photoshop techniques. I have no problem with using those techniques to create art but it becomes something besides a photograph at that point.
Wait until the moon is out, then go outside, eat a multi-grained bread and play your guitar to a bush. If the bush doesn’t shake, eat another piece of bread.
-Captain Beefheart
Here are some folks I’ve learned from and besides the wealth of information they offer on the web I can recommend any and all of them for workshops.
Oldest and most complete collection of night photography articles, exhibits and artist information on the web, along with workshops and classes in the bay area, Death Valley and beyond
Troy Paiva practically invented a new genre over 20 years ago when he started experimenting with quick and dirty lighting techniques to create surreal scenes of abandonment out west, and offers a breakdown of the techniques he uses on his site. He has also been offering workshops at the massive Pearsonville junkyard in the high desert since 2008, 2 of which serve as the location for many of my automotive shots.
Co-host of the Pearsonville workshop and others, how-to articles including advanced digital techniques, book and equipment reviews
Author of the most complete book on Night photography technique and history to date, workshops at Mono Lake, Big Bend and more